His House (2020) is a profoundly unsettling horror film that transcends genre conventions to deliver a powerful story about trauma, displacement, and the ghosts that follow us. Directed by Remi Weekes in his feature debut, the film follows Bol and Rial, a refugee couple from South Sudan who are granted asylum in a dilapidated house on the outskirts of London. While trying to assimilate into a foreign culture under the watchful eye of a caseworker, they soon discover that their new home is haunted by a malevolent presence that seems specifically tied to their past.

The film's brilliance lies in its dual-layered horror: the supernatural terrors that manifest within the house's peeling walls, and the psychological trauma of surviving war and a perilous journey across the sea. Wunmi Mosaku and Sope Dirisu deliver exceptional, raw performances, embodying a couple fractured by grief and guilt. Their dynamic shifts from shared resilience to tense suspicion as the haunting escalates, mirroring the disintegration of their shared reality.

Weekes masterfully uses the horror genre as a metaphor for the immigrant experience—the feeling of being trapped between two worlds, the pressure to conform, and the inescapable weight of history. The cinematography is claustrophobic and inventive, turning a drab council house into a labyrinth of fear. The sound design, filled with whispers and creaks, is genuinely terrifying. More than just a scare-fest, His House is a poignant social commentary that asks what we bring with us when we run from horror, and what horrors we might find waiting. It's a must-watch for fans of thoughtful, character-driven horror that lingers long after the credits roll.